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Matter Wave Project III: Quantum Reality (Large Buckyball Around Trees, 2006) and reinstallation (Bucky Floating in the Air, 2007)
My inspiration for this piece came from my background as a physicist. I participated in an experiment using “Buckyballs” (Buckminsterfullerenes or C-60 molecules) as test objects to probe the properties of matter (1999 Nature paper). The experiment confirmed the view that nature is fundamentally quite different from the way it appears on the surface: Instead of existing at one well-defined spot at the time, pieces of matter lose their individuality and dissolve into something more like clouds, lacking precise boundaries. This aspect of nature is captured by the installation. In addition to that is the buckyball structure, a cultural construct, intimately connected with nature, represented by the trees it surrounds and the forest it is situated in. The installation hovers between symbolizing culture as embracing nature and as caging her.
Quantum Reality (Large Buckyball Around Trees), 2007
Trees and steel. Size of the structure 30’ x 30’ x 30’ (9 m x 9 m x 9 m)
Private collection, Portland, OR
Stereo image by Jack Muzatko
And here is a poem by Don Colburn which was inspired by the buckyball installed at Tryon Creek State Park.
The poem was published in Windfall (Spring 2009) and illustrates the upheaval the piece caused in its ecosystem:
THE NATURE OF REALITY
Tryon State Park
In the park where a million trillium
wave white kerchiefs at the world,
a sculptor who studied physics
wanted something else to stand for
everything. He built a Buckyball
big as a house, steel pipes
bolted into pentagons and hexagons
the eye turns into doors and windows
to frame the air, the underbrush
going green and sky holding off rain.
Culture and nature, he said the cage
of their embrace. Two saplings
live inside his art, and the art
surrounded by these woods
which are not pleased. Not
in my back yard, says the old-growth
Douglas fir. Betcha anything,
says a native shrub, he’s out-of-state.
Foot traffic, you’ll be sorry, the glossy
poison oak warns. I’m not going anywhere,
mutters a bump on a mossy log.
Me either, says a boulder left behind
by a glacier, but I still don’t get
the whole modern art thing.
Want visual metaphor? Look at me,
cries the maidenhair fern. And the woodpecker
flashing his red-crested hammerhead:
Galvanized steel? What’s the point?